Daily Haiku: Jan. 11, 2022

Thanks to Charlotte Digregorio for featuring my senryu today on her blog.

It was selected by Tom Clausen to feature on Christmas Eve on the Daily Haiku at Mann Library, and first published in the senryu journal Prune Juice in July 2013.

Charlotte Digregorio's Writer's Blog


confirmation mass
carved on the front pew
JC was here

by MarionClarke (Northern Ireland)

Mann Library’s Daily Haiku, Dec. 24, 2021

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The Fly

This haiga, a form that combines art with haiku or senryu, is featured on the cover of the latest issue of the journal Prune Juice.

Founded by Alexis Rotella in 2009, Prune Juice Journal is the longest-running international literary journal dedicated solely to English Senryu and related forms. Tia Haynes is the current editor. You can find the current issue here.

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On a roll

This started off as a one-item blog post but over the last few hours it has snowballed—apologies, that’s not very seasonable! 🎃

Haiku Dialogue, a weekly feature on The Haiku Foundation, is a great source of inspiration for haiku, and also a way to see how other poets respond to the same prompt.

iThe current curator, Australian poet Marietta McGregor, has been posting one of her photographs with a brief comment in order to inspire participants. A week later, she features a selection of her favourite verses. Today I was happy to learn that one one of mine had been selected. It was inspired by a real event while shopping in the city nearest to my hometown. It was a magical moment and I stayed for a while to admire the heron.

And I was even happier to hear just a couple of hours later that my entries in the 13th Yamadera Basho Memorial Museum English Haiku Contest were selected to feature in the contest anthology.

As if this wasn’t enough excitement for one day in the life of a haiku poet, I’ve also discovered that my monoku has been published today in one of my favourite journals—tinywords! 🕺

Happy Halloween to all! 🎃

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Rachel Sutcliffe, formerly of Harrowgate, North Yorkshire, was a talented haiku poet who is much missed in the international haiku community. For almost a decade, she and I workshopped our creative fiction and poetry on several online forums and since her death from lupus in 2019, I have been in regular contact with her mother, Marie.

When I learned that Marie was to visit Ireland in August, we arranged to meet up in Belfast. I was surprised and delighted when she gifted me a set of writers’ pencils and the charm in the photo above that had belonged to Rachel. We found we had lots to talk about and ended up spending several hours together that day. The tanka below, published and translated into Chinese by the poet Chen-ou Liu, was inspired by our meeting.

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Jabberwocky, swans and chocolate eggs …

My thanks to Gordon Hewitt of Community Arts Partnership, Belfast, for sharing this interview in which he asks about my writing journey and, in particular, short form poetry.

Check out the other features in this month’s issue… https://www.capartscentre.com/monthly/

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“Desk-ku” and the 10th Setouchi-Matsuyama International Photo Haiku Contest

almost noon . . .
we ask the rickshaw man
to wait for the drums

This photograph taken by Kit Nagamura is of rickshaws parked at the Dogo Onsen in Matsuyama. It was one of several used to inspire haiku writers in this year’s Setouchi-Matsuyama photo haiku competition.

I had no idea what to write, having never been to Japan, so I decided to do a little research on the area in the photograph. Matsuyama is the capital city of Ehime Prefecture on the island of Shikoku and also its largest city. I discovered the Dogo Onsen is a historical bath house and that a taika drum is sounded in a tower of the building three times a day. I imagined a tourist would want to hang on to hear the sound.

I was very happy my haiku was highly commended in the 10th Setouchi-Matsyama competition. It is a true desk-ku, that is, one written from what I’ve read or discovered through research rather than something I experienced. I was also delighted to learn that this bath house was used for inspiration in my favourite Hayao Miyazaki animated film, Spirited Away.

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A brand new year…

Woke up to find my sister Edel had posted this photograph on our family WhatsApp group to welcome the New Year. She had captured the first sunrise from the shore of Carlingford Lough, in our hometown of Warrenpoint.

Living round the corner from such beauty really does the heart good. ❤️ However, I missed the dawn as I was still asleep, having stayed up well into the wee small hours watching coverage of the 2019 Glastonbury festival. Perhaps my New Year’s resolution should be to stop looking back. Oh, and to do a lot more painting—so this landscape could be the first of 2021!

New Year’s Day
a gull soars towards
the light

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Let’s hope it’s a good one…

…despite everything.

Best wishes for a happy, healthy and peaceful time over Christmas and the New Year.

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One day in 1983…

This haibun I wrote in recent months appeared in the November issue of the online journal ‘Failed Haiku’. I don’t often write about life during The Troubles in Northern Ireland, but this particular day came to mind when I was trying to come up with an autobiographical subject.

The remains of the Crown Hotel, Warrenpoint.

Edited by Mike Rehling, Failed Haiku is a journal dedicated to the short poetry form senryu. This particular issue was guest-edited by renowned poet Roberta Beary and featured her selection of submitted haibun—prose combined with haiku, senryu or tanka. I was very honoured that Roberta decided to include this one of mine. (Some poetic licence has been used, but the events of the day are very real. I was fortunate that I was never caught bunking school, and it occurred a lot less than the haibun suggests!)

Images used with permission from The Old Warrenpoint Forum (oldwarrenpointforum.com)

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Haiku translated into Chinese

UPDATE: Chen-ou Liu has also published my poem ‘sliver of moon‘ in One Man’s Maple Moon. This one is inspired by the local church in my hometown, Warrenpoint, and is a haiku that morphed into a tanka. 🙂

sliver of moon

A big thank you to Toronto-based, Taiwanese poet Chen-ou Liu for translating my ‘
rain clouds’ haiku into Chinese (traditional and simplified versions)


I was so pleased when this haiku was placed first in the 31st Indian Kukai earlier this year. A kukai is a peer-judged poetry competition and I’ve never managed to win one before, so having it translated into Chinese was the icing on the cake!

Chen-ou’s bilingual haiku and tanka blog NeverEnding Story features many examples of these poetry forms, his own poems, reviews and essays and annual anthologies One Man’s Maple Moon and Butterfly Dream. His most recent project is the Coronavirus Poetry Diary

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